Three Irwin Shaw short stories are dramatized. In "The Girls in Their Summer Dresses" a young married couple stop for a drink on a Sunday morning in Manhattan, and the conversation turns to the husband's fidelity. "The Monument" centers on the conflict between a popular bartender with a following in an upscale Irish bar in 1938 Manhattan and its owner, who is determined to introduce a more economical whiskey in the establishment over the barkeep's objections. In "The Man Who Married a French Wife" the influential American husband of a French woman is asked by her former lover, a former resistance fighter, to help him escape the country.

Three Irwin Shaw short stories are dramatized. In "The Girls in Their Summer Dresses" a young married couple stop for a drink on a Sunday morning in Manhattan, and the conversation turns to the husband's fidelity. "The Monument" centers on the conflict between a popular bartender with a following in an upscale Irish bar in 1938 Manhattan and its owner, who is determined to introduce a more economical whiskey in the establishment over the barkeep's objections. In "The Man Who Married a French Wife" the influential American husband of a French woman is asked by her former lover, a former resistance fighter, to help him escape the country.

Rodrigo lives in Córdoba. He runs and manages his dad's cabins for tourists. Summer is around the corner. One day he meets seventeen year old Juan, who has just arrived into town all the way from Buenos Aires.

A nostalgic look into the 90s British tomboy told through the lens of queer black women.

A murder-mystery set in the beachside equestrian community of Rancho Santa Fe, California, Girls and Their Horses follows the newly wealthy Parker family as they aim to position their teenage daughters in the rarified, sometimes-deadly world of competitive horse riding.

Jun-hee has a secret crush on Dong-kyun. One day, while Dong-kyun is sleeping in the school nurse’s office, Jun-hee kisses him, and Soon-young catches him in action. Promising Jun-hee never to tell a soul about what she saw, Soon-young orders Jun-hee around for her errands. During the summer break, Jun-hee gives Soon-young a ride home from her part-time job after he gets done at the learning center. As Jun-hee and Soon-young spend more time together, Soon-young asks Jun-hee things about Dong-kyun. Soon-young learns Dong-kyun’s birthday is coming up and asks Jun-hee not to hang out with Dong-kyun, but Jun-hee ignores her. On Dong-kyun’s birthday, Soon-young catches Jun-hee and Dong-kyun hanging out together.

Five disturbing nightmares, ranging from the eerie to the erotic, guaranteed to keep you awake at night.

Idol fighting contest held on the mixed martial arts YouTube channel Named Girls in the Cage. The winner will receive a cash prize of 100 million won and debut as a girl group in Girls in the Cage. Interesting story of the 8 contestants who participated in Girls in the Cage The hard fight begins.

Over the course of four generations, a family in Hungary confronts poverty, political turmoil and a life that's perpetually on the move.

STONES AND THEIR WHISPERS OF OLD STORIES unfolds as a dialogue between ancient stories from the Transylvanian and Valais mountains, intertwined with contemporary movement. Through the lens of dance, the environment becomes both stage and symbol, where whispers of forgotten stories are etched into the fabric of the earth. With a quiet, observant gaze, the film invites reflection on the ephemeral and enduring, past and present, myth and memory. 　　“Nothing more natural for David Drăgan and Noah Kohlbrenne’s film than the connections it makes between a magical, irrational understanding of life, subject to mysticism and nature, and choreography, that is, organized movement which, before producing aesthetic pleasure, produces spatial knowledge. For STONES AND THEIR OLD WHISPERED STORIES, man – the human body – is an infinitesimal unit of measurement. Man measures little visually, in relation to the vastness of the mountainous landscapes of Transylvania and Valais, upon which the camera gaze with adoration and fear, but also within the superstitions recounted by various interviewees, speaking powerlessness in the face of the incomprehensible. The film is a beautiful reminder that man should not be the measure of the world, but take measure of it.” (Călin Boto)